The Sound of Excellence!

THE BEST IN AUDIO
POST PRODUCTION.

Our Projects

Networks. Studios. Showrunners. Producers. Our clients love the sound we make.


Our Services

A state-of-the-art facility providing the highest quality sound services.

  • Sound Experience

    The Anefx Sound Experience offers a complete package with maximum benefits and added-value support at highly competitive rates. From Day 1 editorial support, concurrent with dailies (including noise reduction) through multiple delivery requirements, nothing is too complicated for us to handle. Whether its finding the best and most convenient stages for final dub, to recording ADR from actors in different parts of the world, creating the sound of a 1967 Ford Mustang racing on a dirt road or an ancient sword slicing through the air, we make it easy and enjoyable.

    You just have to listen.  All this and more provided by a talented, professional and friendly staff that has made Anefx a favorite among producers, directors,  post supervisors, studio and network executives for more than 20 years.

  • Sound Design & Editorial

    Anefx sound designers and editors help create and identify the dynamic and rich custom sounds and sound effects that will make your project unique. Working with the director and post producer, and utilizing our extensive library of  sounds, we help shape the overall soundtrack and create the mood that matches the visual elements on screen.

    Limited only by imagination, situation and genres that may require the sound of cute aliens or prehistoric dinosaurs, thundering waterfalls or the crack of machine gun bullets, are layered with perfect volume and equalization into a brilliant and exciting soundtrack that will always exceed expectations.

  • Dialogue Editorial

    Locating the proper take from the original recorded audio, checking sync to match picture, and eliminating extraneous noise so that the mixer can clean the dialogue is crucial to the success of your soundtrack.

    Providing editorial support from the first day of production, Anefx improves and builds upon the natural recording, adding a richness and depth that will surprise and please in the final mix.

  • Foley Production

    We fully fill and edit every show for domestic and M&E mixes. Our talented and creative foley artists Sam Lewis and Brian Straub are the best in the business, and work closely with the SFX editors to layer and create unique and award-winning sound design. Combining creativity, imagination, speed and quality with the latest technology we are able to meet any any foley and sound design requirements.

    STAGE C – FOLEY
    Avalon 737sp Preamp
    Focusrite Red 7 Preamp
    Sennheiser and Neumann Microphones
    Apogee A/D Converters
    Yamaha HS50M Monitors
    Pro Tools 10 with full Waves Gold bundle
    Dolby Noise Reduction
    Full HD Projection Video

    Surfaces:
    Wood, Deck, Sand, Gravel, River Rock, Dirt, Concrete, Tile, Linoleum, Rubber, Metal, Glass, Carpet, Wet/Dry. We have a large water pit for any wet application. There is a large glass pit, an extensive collection of props and footwear of all kinds as well as portable surfaces.

  • Auto Dialogue Replacement (ADR)

    Our ADR stage is spacious, comfortable and elegant, large enough to accommodate 12-15 participants. Considered one of the premiere stages in the Valley for ADR, voiceover, walla, and commentary , the control room offers multichannel recording, mixing and remote playback, through Source Connect, I-chat, Skype, Phone Patch and/or FaceTime. Our expert ADR supervisors work smoothly with talent  to assure fast, cost-efficient sessions no matter where you are in the world.  Amenities include fresh fruit, coffee, sodas and snacks to help make the client/talent experience most enjoyable.

    STAGE B – ADR ADR
    Record 4-6 actors in radio play setting or locked to video playback
    Walla Groups: 13-15 person sessions
    Voiceovers
    Pro Tools 8 HD1 TDM
    Control 24
    55” Samsung DLP & 100” HD Projection
    Mics include: TLM 103, TLM 193, Schoeps 5U shotgun, 2 Sanken COS Lavaliers
    Powered by a UAD twin finity 710 Pre amp
    Skype capable for remote monitoring

  • Sound Experience

    The Anefx Sound Experience offers a complete package with maximum benefits and added-value support at highly competitive rates. From Day 1 editorial support, concurrent with dailies (including noise reduction) through multiple delivery requirements, nothing is too complicated for us to handle. Whether its finding the best and most convenient stages for final dub, to recording ADR from actors in different parts of the world, creating the sound of a 1967 Ford Mustang racing on a dirt road or an ancient sword slicing through the air, we make it easy and enjoyable.

    You just have to listen.  All this and more provided by a talented, professional and friendly staff that has made Anefx a favorite among producers, directors,  post supervisors, studio and network executives for more than 20 years.

  • Sound Design & Editorial

    Anefx sound designers and editors help create and identify the dynamic and rich custom sounds and sound effects that will make your project unique. Working with the director and post producer, and utilizing our extensive library of  sounds, we help shape the overall soundtrack and create the mood that matches the visual elements on screen.

    Limited only by imagination, situation and genres that may require the sound of cute aliens or prehistoric dinosaurs, thundering waterfalls or the crack of machine gun bullets, are layered with perfect volume and equalization into a brilliant and exciting soundtrack that will always exceed expectations.

  • Dialogue Editorial

    Locating the proper take from the original recorded audio, checking sync to match picture, and eliminating extraneous noise so that the mixer can clean the dialogue is crucial to the success of your soundtrack.

    Providing editorial support from the first day of production, Anefx improves and builds upon the natural recording, adding a richness and depth that will surprise and please in the final mix.

  • Foley Production

    We fully fill and edit every show for domestic and M&E mixes. Our talented and creative foley artists Sam Lewis and Brian Straub are the best in the business, and work closely with the SFX editors to layer and create unique and award-winning sound design. Combining creativity, imagination, speed and quality with the latest technology we are able to meet any any foley and sound design requirements.

    STAGE C – FOLEY
    Avalon 737sp Preamp
    Focusrite Red 7 Preamp
    Sennheiser and Neumann Microphones
    Apogee A/D Converters
    Yamaha HS50M Monitors
    Pro Tools 10 with full Waves Gold bundle
    Dolby Noise Reduction
    Full HD Projection Video

    Surfaces:
    Wood, Deck, Sand, Gravel, River Rock, Dirt, Concrete, Tile, Linoleum, Rubber, Metal, Glass, Carpet, Wet/Dry. We have a large water pit for any wet application. There is a large glass pit, an extensive collection of props and footwear of all kinds as well as portable surfaces.

  • Auto Dialogue Replacement (ADR)

    Our ADR stage is spacious, comfortable and elegant, large enough to accommodate 12-15 participants. Considered one of the premiere stages in the Valley for ADR, voiceover, walla, and commentary , the control room offers multichannel recording, mixing and remote playback, through Source Connect, I-chat, Skype, Phone Patch and/or FaceTime. Our expert ADR supervisors work smoothly with talent  to assure fast, cost-efficient sessions no matter where you are in the world.  Amenities include fresh fruit, coffee, sodas and snacks to help make the client/talent experience most enjoyable.

    STAGE B – ADR ADR
    Record 4-6 actors in radio play setting or locked to video playback
    Walla Groups: 13-15 person sessions
    Voiceovers
    Pro Tools 8 HD1 TDM
    Control 24
    55” Samsung DLP & 100” HD Projection
    Mics include: TLM 103, TLM 193, Schoeps 5U shotgun, 2 Sanken COS Lavaliers
    Powered by a UAD twin finity 710 Pre amp
    Skype capable for remote monitoring

The Company

In 1992, AnEFX began as a small sound effects company, and has since grown into a respected, Emmy-award winning state-of-the-art facility, providing the highest quality post production sound package services for television, feature films and digital content productions. AnEFX has earned a stellar reputation within the industry for its commitment to unparalleled client service, delivering the finest, customized sound design and supervision, editing, Foley and ADR within a luxurious, warm and stunning environment. Our outstanding mixers and supervisors are well-known for their artistry, efficiency and dedication to uncompromising quality, fulfilling and exceeding expectations for brilliant sound on the most critically acclaimed television series and miniseries. AnEFX is also very proud to be a Marvel Tier 1 Vendor and NBC/Universal Redbook Preferred Vendor.

Our unique and beautifully designed stages located in Burbank, California, include a fully-equipped kitchen, elegant dining area, wine bar, delicious and healthy meals prepared by our culinary expert and full time Chef, and complimentary valet parking.

    The Team

    Founder and Emmy-award winner Jack Levy has assembled a dynamic and talented group of sound designers, artists, editors, post production experts and staff with one goal in mind: providing the ultimate sound experience for its clients. Our expertise and attention to detail, accessibility, technical support, solution-based and time-senstive approach we take with all of our projects has made us the sound house of choice for more than 20 years. Professional, friendly, and dedicated, we define ourselves by our service and respect from client’s and peers alike. The outstanding results of our work is evidenced by long-term relationships and repeat business from the best television and motion pictures has to offer.